From on top of a hill where a small white house sits, I can see the beach below. The ocean, like life itself, creeps up the coast and falls back, merging with the deep blue. From an old wooden table covered with oil paint and propped against a window, I watch the lazy summer sun and the tall grass dancing. There are voices from the house next door, but the sound of the wind makes them inaudible. A few people, smudges of red and white, walk across the beach. On the road, cars pass each solemnly and slowly. The waves come and go, like watching my breath as I sit here on this chair and fill this notebook with words. There is nothing to do. It’s strange how difficult this is to accept sometimes. Usually my inclination is to fill these silences, these empty spaces with just about anything–desires to be something or somewhere else, or just chatter. Is this all I am? This usual existence that I call my life, where I am chained to a continual like and dislike of everything is so limiting. It has length, but no width. Is it possible to forsake this view of my life for something that is much larger and far more mysterious—to die to the known and enter the unknown?

Everything is pregnant with summer, the trees, grass, sky, and ocean—the breath, the head, the heart, and the line. Wooden posts stand at attention across the hills and valleys overlooking the white capped waves, the ribbons of blue, and the stones and sand. A dog barks, a lawn mower engine starts up, and then all is quiet again. There is a natural rhythm to life here that is deeply ingrained in the locals. It has soft ebb and a flow that I can only imagine comes from living near the sea. There is a humbling feeling of being a small part of something that is so vast that it doesn’t allow you to become overly concerned with yourself and your preoccupations. This wonderful feeling of wide is a gift that can swallow up any shred of self importance.

John, the middle-aged man who lives next door is sitting calmly and collectedly on the front steps of his house, facing the ocean. Deciding to take a break from raking the grass, he pets his dog Chip. He looks like he belongs there completely, like a silent pharaoh. Looking at him betrays my own restlessness. It’s a marvel how someone or something so unobtrusive, can teach you something about yourself.

I feel something is working on me here. There is a softening of tensions that appears if I am open enough to see it and taste it. It’s like the landscape is a special mirror, and I can see myself reflected in it. What is behind my restlessness, behind my tensions? Ah! There is something else here, whole and mysterious. A vertical dimension, one might say.

We are all moving through forces that we don’t understand like little boats being rocked to and fro on that big blue expanse of ocean that I see through my window that is buzzing of flies. And like those flies, I find myself caught so often inside a prison of a small house, when all I have to do is find the door to a much larger world that is waiting patiently outside. It all comes down to what I truly and sincerely respect. What do I serve? Either my limited energy is continually taken by my likes and dislikes, flowing into my thoughts and emotions, or it can serve the one who is able to see and stand in front of the mystery. This precious energy could serve a different master that my body truly wishes to obey.

Pictured: Keegan Gibbs, The Alchemist